How does chief brody feel about the black boys

The mark of a strong monster movie is human characters that the audience can actually care about. Scheider exudes the everyman quality that Brody needed and is more than likable enough for viewers to root for him all the way. Mayor Vaughn is the one who puts those residents in danger by refusing to close the beach and encouraging people to go swimming. When Alex Kintner is eaten by the shark and his grieving mother slaps Brody for letting it happen, he decides to go out into the ocean and get rid of the shark once and for all, standing defiantly in the face of heartless, ineffectual government.

It was supposed to show up a lot more, but behind-the-scenes problems with the mechanical shark forced Spielberg to get creative and use dislodged decking and harpooned flotation barrels as stand-ins for the shark, dragging them across the surface of the ocean. In most scenes, the viewer has to picture the shark in their head, which is much scarier.

Ben Sherlock is a writer, comedian, and independent filmmaker. By the Order of the Amity PD". And let Polly do the printing. Hendricks : What's the matter with my printing? Brody : Let Polly do the printing. Brody : [Drunk] I'm tellin' ya, the crime rate in New York'll kill you.

There's so many problems, you never feel like you're accomplishing anything. Violence, rip-offs, muggings But in Amity one man can make a difference.

In twenty-five years, there's never been a shooting or a murder in this town. Hooper : [Around a mouthful of food] No kidding. Want a pretzel? Brody : Where are we? Brody : You're certifiable, Quint!

You know that? Quint : Yeah, yeah, yeah Brody : [Amidst commotion] We're also planning to bring in some experts from the oceanographic institute on the mainland. Mayor Vaughn : For only 24 hours! Brody : I didn't agree to that! Mayor Vaughn : Only 24 hours. Extra Townswoman : 24 hours is like three weeks! Hooper looks around, and his laughter trails off as he realizes Quint is missing]. Hooper : Quint. Brody : [solemnly] No.

Brody : I just- I just want to tell you what we're planning so far Meadows : What about the beaches, Chief? Brody : We're going to put on the extra- the extra summer deputies as quickly as possible, and then we're going to try and use, uh, shark-spotters on the beach.

Taft : [cuts him off] Are you going to close the beaches? Brody : [after brief pause] Yes, we are. Quint : [handing the bat to Brody] Excuse me, chief. Quint : [dismissively] Yeah, yeah, yeah Come in, Orca. Quint : [answering; via receiver] Orca. Come in. Sonar Operator : [via radio cont] I have Mrs. Martin Brody here.

Quint : Put her on. Hooper : Come on, Martin! Hooper : [points with his outstretched arm] Further out! Hooper : What? Hooper : Will you please go to the end of the pulpit! Hooper : [getting his camera out] I need to have something in the foreground to give it some scale!

Brody : [shouts] Foreground, my ass! Quint : [rapid fire speech; into the receiver] Your husband's all right, Mrs. Brody, he's fishin', he just caught a couple of stripers, we'll bring 'em in for dinner, we won't be long, we haven't seen anything yet, over and out! Michael Brody : Pond's for old ladies. Brody : I know it's for the old ladies, but just do it for the old man, huh?

Artist : Sh-Shark! The shark! He's going into the pond! The shark's in the estuary! Brody : Now what? Ellen Brody : Michael's in the pond! Artist : In the estuary! The shark's in the pond! He's going in the pond! Somebody do something! In the pond! Brody : [to Hooper] Well, why don't we start leading the shark into shore instead of him leading us out to sea?

Brody : Ten thousand dollars. Quint : Two hundred dollars a day whether I catch him or not. Brody : You got it. Quint : Get the Mayor off my back so I don't have any more of this zoning crap. Brody : You got that. Quint : One case of apricot brandy. You buy the lunch. Brody : Two cases! Brody : Got a pen, Larry? Mayor Vaughn : Pen? Quint : [from the crow's nest] Brody?

Start that chum line again, will ya! Brody : Let Hooper take a turn. Quint : Hooper drives the boat, Chief. Brody : [regarding Sean] Wanna take him home? Ellen Brody : Back to New York? Home here. Brody approaches and sees what's left of the body]. Brody : Oh, Jesus. Brody : [while typing up the report on Chrissy Watkins] Polly, if this new filing system is going to work you've gotta keep that outdated stuff off my desk. Just the pending, all right?

Polly : Yes, chief. Now we got a bunch of calls about that karate school. It seems that the nine year olds from the school have been Michael Brody : Aw, Dad, the pond's for old ladies. Brody : I know it is. But just do it for the old man, will ya? Ellen Brody : Listen, Chief, be careful, will ya? Brody : In this town? Brody : Well, what do we do now?

We're quittin' right? Quint : We've got one barrel on him. So, we stay out here till we find him again. Brody : Yeah, but we could radio in and get a bigger boat out here. Quint : Hopper, get the pump out of the locker in front you, will you?

Brody : We're gonna sink, aren't we? Quint : He can't stay down with three barrels. Not with three barrels, he can't. Brody : What about us? Quint : We're headin' in, Brody. Brody : Thank Christ! Hopper, attach the end of this line to the first keg. I gotta get a good shot at that porker's head.

He's coming. Stay clear of the barrel. Tie it up, will ya! Hooper : Your turn, Quint. Quint : Hooper, where are you? Hooper, hurry it up now. Tie it on. Hurry up, he's coming straight for us. Don't screw it up now! Hooper : Don't wait for me. Quint : Come on, Hooper! Hurry it up! Come on. Tie it on! Brody : Now. Kill it, quick! Kill it! Hooper : Shoot! Hendricks says there was a fatal shark attack on the beach early that morning and that they have to close the beaches.

Brody watches the boys swim their mile in the bay with their instructor in a boat beside them. Announcing the presence of a shark could cause a panic during the big holiday. The mayor has the ferry return to the dock. Composer John Williams has said that this ominous music was meant to represent the shark as an "unstoppable force" of "mindless and instinctive attacks. Indeed, not once during the attack on Chrissie do we actually see any piece of the shark, and yet the combination of her terrified thrashing and the unsettling music is enough to convey the attack without any appearance by the attacker.

These moments communicate a lot of small but important details to the viewer very quickly without impeding the flow of the story. While we might expect the filmmakers to decide which conversation is more important and focus us on that one, we instead hear them at the same volume, keeping us focused on each but preventing us from catching everything that one is saying without losing pieces of the other.

It also introduces an element of excitement and chaos to the scene, and will be used to even greater effect later in the film. Our understanding of Amity as a quiet, excitement-less town is crucial to the devastating impact of the shark attacks to come. The Question and Answer section for Jaws is a great resource to ask questions, find answers, and discuss the novel.

Title of Book. A riffly blur, color alternating with black and white. The dizziness stops on a book page showing a black and white rendering of eight species of shark. I think that this was the tag line for the movie version of the book. It says so much with so little. The line implies that there is something very dangerous in the water that can strike just when we think it is safe to enter the water.

It implies I think the suspense comes when the reader is told what a wonder the shark is.